Vincen Beeckman

piKuur

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Extra Muros

Vincen Beeckman - piKuur - CENTRALE & CHU St Pierre

CENTRALE for contemporary art and the Saint-Pierre University Hospital (Brussels) present piKuur, a project of photographic exhibitions.

Every two months, artist Vincen Beeckman presents in the Saint-Pierre University Hospital new series of photographs, genuine X-rays of life in a hospital, while offering a reading of the institution’s history (Porte de Hal’s main hall and César De Paepe’s waiting room). The shows broach the everyday life of the hospital as well as some hidden realities unknown of the public. This project is shown at the crossroads of human encounters. The material for thinking about exhibitions emerges from this city within the city. This truly participatory project involves all the hospital’s stakeholders (employees, patients and their visitors).

Coupled with the institution’s archives, plethora anecdotes and testimonials represent the basis of the different visual forms presented.

piKuur is not a photographic report, but rather a long-term participatory project carried out hand in hand with the people involved. The aim does not consist in revealing extraordinary things, but to go in depth with various people and include them in a project, bringing out the talents and specificities of each one, and many little simple and beautiful stories.

Vincen Beeckman would compare his intervention to that of a conductor who tries to work with people all the while respecting them.

Do you have a fond memory of the Saint-Pierre University Hospital? An anecdote, or simply something you would like to share? Whether you are a (former) doctor, patient, visitor, send your photos, messages etc. to Vincen Beeckman: vincen.beeckman@gmail.com

28.01 > 28.03.2021 (Porte de Hal): piKuur #1: unlimited hospitality from the hospital cleaning service, wrestling, medieval games and JCVD, just that.

01.04 > 06.05.2021 (Porte de Hal): piKuur #2: a mole’s work, a collection of dentures, microfilms all over the place, old files and archives brought back to life.

17.06 > 29.08.2021 (Porte de Hal): piKuur #3: in the medical archives of the Research Unit. 10 years of records, files and valuable information about the hospital’s patients.

02.09.2021 > 20.02.2022 (Porte de Hal) & 24.02 > 15.05.2022 (César De Paepe): piKuur #4: on the ninth floor of the site of Caesar de Paepe, there is a physiotherapy space for seniors. There one experiences revalidation, weight training, learning how to avoid falls. It is a world in which everything flows slowly, where the atmosphere is hushed, where one finds a magnificent panoramic view on Brussels.

24.02 > 15.05.2022 (Porte de Hal) & 02.06 > 10.07.2022 (César De Paepe): piKuur #5: Day and night, the doors of the hospital are manned and secure, with the corridors and entrances conveying a sense of comfort. The security service keeps a watchful eye and intervenes when issues arise within the hospital walls. Conflicts and bad energy are defused or shown the door. This new series is about the men in the wings who keep you safe in the hospital 24/7.

02.06 > 10.07.2022 (Porte de Hal) & 14.07 > 02.10.2022 (César De Paepe) : piKuur #6: Two photographic series are presented. One is based on a photo booth installed at the entrance of Saint-Pierre University Hospital. Caregivers, patients, workers, visitors … all had the opportunity to have their portrait taken. This is accompanied by photos of visits to the orthopaedic department: casts, broken arms, repaired legs and knees! Who hasn’t had to go through this repair process one day, whether young or old, following a fall or a badly controlled slip! With of course signatures of friends on the beautiful white plaster.

14.07 > 02.10.2022 (Porte de Hal) & 13.10.2022 > 08.01.2023 (César De Paepe) : piKuur #7 : This is an immersion into the world of children’s drawings found in the archives of Saint-Pierre University Hospital. Stories, texts and poems have been created around stays or visits at the hospital. They offer an opportunity to imagine, dream, and put oneself in the shoes of all these young ones who have healed their wounds, sometimes for several years, in this care centre.

13.10.2022 > 08.01.2023 (Porte de Hal) & 12.01 > 02.04.2023 (César De Paepe) : piKuur #8 : At the entrance of the hospital, the usual baxter, a cigarette… They are waiting for an operation, or finishing their cure… We share a moment of relaxation outside, a chat, a story. A whole series of adventures lived and shared has been collected, rewritten, photographed, and rendered in this humble presentation.

12.01 > 02.04.2023 (Porte de Hal) : piKuur #9 : One dives into the world of the emergency room, as in TV series, but with just a pencil in hand and, from time to time, a camera. All ears, eyes that scrutinize, pain, impatience, sometimes violence… A series of chairs are installed in a square where spouses and friends wait in the hope that the accident will not turn out to be too serious or that the illness will be resolved as soon as possible.

Vincen Beeckman

Brussels-based Vincen Beeckman feeds off the universes that he roams and that move him in his practice. Collaborating intensely and as often as possible with the characters that fill his images, he can also become their model or form a storytelling duo with them. Immersed in the field, inside groups, he often positions himself as the guiding thread of a photographic collection under construction. In the Cracks project for instance, Vincen Beeckman used disposable cameras in collaboration with the homeless of Brussels Central Station.

His work focuses on the fragility of human life and the positive energy that can be decoded or injected into it. As the designer of offbeat projects such as La Fusée de la Motographie or La Pêche aux Canards Belge (Arles, 2019), the photographer also knows how to distance himself from an image and assemble mythical or realistic stories through other mediums such as sound, text, jam-making or still, tea dances…

Another remarkable talent: Vincen is a fan of miniature golf!

 

An initiative of the Aldermanship for Cultural Affairs of the City of Brussels

 

 © Vincen Beeckman

Exposition

piKuur – a project of exhibitions at Saint-Pierre University Hospital

Porte de Hal – Rue aux Laines, 105 – 1000 Brussels

César De Paepe – Rue des Alexiens, 13 – 1000 Brussels

Akiko Ueda

DÉJÀ-MAIS-VU

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CENTRALE | lab

Vue d’exposition 2 – DÉJÀ-MAIS-VU © Philippe De Gobert

The project DÉJÀ-MAIS-VU (16.12.2020 > 21.02.2021) at CENTRALE.lab allows Akiko Ueda (Japan, 1983, lives and works in Brussels) ‘s work to unfold in a work-in-progress over the duration of the exhibition. The show will also be interspersed with performances.

Akiko Ueda explores the possibilities of drawing and painting as a to and fro between the various materials and media used for each of these practices. Her perceptible work process exposes the way in which both practices intermingle and prove mutually enriching: Ueda extracts the essential lines of her painting and draws them on paper. She then applies new layers of pencil and/or watercolour. Ueda’s gesture is simultaneously a subtraction and an extraction resulting in a new proposition that co-inhabits with the original painting.

Meet the artist Akiko Ueda

With the support of visit.brussels and the Brussels-Capital Region

 

Exhibition view: Akiko Ueda, CENTRALE | lab © Philippe de Gobert, december 2020

Exposition

CENTRALE.lab
Place Sainte-Catherine 16
1000 Brussels
WED > SUN 10:30 > 13:00 – 13:30 > 18:00
Closed on public holidays (25.12.2020 ; 01.01.2021)

TICKETS
0 €

Artist

Curator

  • Tania NASIELSKI

Emilien Simon

FORESTS AND SKIES

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CENTRALE | box

Vue d’exposition 11 – Forests and skies - Philippe De Gobert

Emilien Simon ’s exhibition (born in Dinant in 1990) Forests and skies (16.12.2020 > 21.02.2021) evolves around an installation that questions the iconography of landscape through the different phenomena that make it up.

On a television screen, a black sun seems to subtract its colorimetric variations from the sky. These are gradually converted into sound ramifications and tensioned with a set of thermal sculptures that soak the space with kinetic impulses.
This new installation is conceived as a sensory and evolutionary device, where the viewer is immersed. Playing with the boundaries of image and vibration, from color to sound, from warmth to movement. The continuous shift from one condition to another, creates a transition, forming an organic architecture of the phenomena that interact and envelop the spectator.

Laureate of the City of Brussels > Médiatine Prize 2019

With the support of visit.brussels and the Brussels-Capital Region

 

Exhibition view: Emilien Simon, CENTRALE | box © Philippe de Gobert, december 2020

Exposition

CENTRALE.box
Place Sainte-Catherine 44
1000 Brussels
WED > SUN 10:30 > 18:00
Closed on public holidays (25.12.2020 ; 01.01.2021)

TICKETS
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Artist

Curator

  • Tania NASIELSKI

BXL UNIVERSEL II : multipli.city

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CENTRALE | hall

CENTRALE presents BXL UNIVERSEL II: multipli.city, a multidisciplinary forum-exhibition & events project in collaboration with 11 artists and 6 Brussels-based organisations.

With: Younes Baba-Ali, Vincen Beeckman, Aleksandra Chaushova, Effi & Amir, Hadassah Emmerich, Pélagie Gbaguidi, Stephan Goldrajch, Sabrina Montiel-Soto, Anna Raimondo, Lázara Rosell Albear, Oussama Tabti ; BNA-BBOT & Mia Melvaer, Culture & Démocratie, Globe Aroma, Kunstenpunt, MOUSSEM & Barbara Prada, Zinneke.

In 2021, on the occasion of its 15th anniversary, CENTRALE celebrates its city, its artists and its inhabitants with the project BXL UNIVERSEL II : multipli.city.

More than an exhibition, this project is a forum-exhibition which takes the form of a patchwork of singularities and paths, through the proposals of artists who chose to live and work in Brussels– and the collaboration with not-for-profit organisations within the city. Questioning both the strata of cosmopolitan Brussels, and the co-inhabiting woven into it, the art centre extends to the public space and partner venues, opening its space to all for exchange and sharing around artistic and participative processes.

In 2016, CENTRALE presented BXL UNIVERSEL I, a subjective portrait on the occasion of its 10th anniversary. Whereas the first part of the exhibition started a few weeks after the terrorist attacks of March 2016, this second part of the trilogy will be marked by the pandemic, the lockdowns and the impact of the sanitary crisis on (cultural) life. These events both shed new light on our vision of the city and of the world.

 

Discover the playlist made by the artists of the exhibition BXL UNIVERSEL II: multipli.city

Exposition

CENTRALE
Place Sainte-Catherine 44
1000 Brussels
WED > SUN 10:30 > 18:00
Closed on public holidays (01.05.2021)

TICKETS
8,00 € // 4,00 € // 2,50 € // 1,25 € // 0 €

First Sunday of the month from 14:30 to 16:30 standing guides in FR/NL

Justine Bougerol

Strata

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CENTRALE | lab

Vue d’exposition 1 – Panorama © Philippe De Gobert

In this new in situ installation Strata (03.09 > 08.11.2020), Justine Bougerol (born 1988, France, lives and works in Brussels), travels through the thickness of things. By creating an artificial mountain – or is it an iceberg? – straddling the two superimposed spaces of CENTRALE.lab, the artist works with the concept of the diorama and questions the dreamlike and contemplative potential that emanates from a material image, or in other words, from imagined matter.

By manipulating form, colour and organic substance of this portion of miniaturized landscape, Justine Bougerol draws our gaze to the breach, the crack, visible as a shameless wound, to make the intimate value contained in an unfathomable depth resonate.

 

Entrance to CENTRALE.lab is limited to two people, without reservation.

 

 

Exhibition view: Justine Bougerol, CENTRALE | lab © Philippe de Gobert, september 2020

Exposition

Download the visitors guide

 

CENTRALE.lab
Place Sainte-Catherine 16
1000 Brussels
WED > SUN 10:30 > 13:00 – 13:30 > 18:00
Closed on public holidays (01 & 11.11.2020)

TICKETS
0 €

Curator

  • Tania NASIELSKI

Max Kesteloot

GOOD LOST CORNERS - places that appeal to me

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CENTRALE | box

Vue d’exposition 7 – Panorama © Philippe De Gobert

 

In the exhibition GOOD LOST CORNERS – places that appeal to me (03.09 > 08.11.2020), visitors can hear a constant voice that refers to places that have been photographed by the artist Max Kesteloot and then used as a source for making new works. It is impossible for the viewers to know which text belongs to which image, but this is precisely what makes it interesting to explore the work further.

“These are my stories, but to the reader, the content will not be that different. These could be anyone’s stories.” – SPOT SPOTS – Prologue due to circumstances, 2017 – Artist book, Self-published – Max Kesteloot

For more than 10 years, Max Kesteloot (1990, Ghent, lives and works in Oostende) has been capturing his observations on photo. During walks or travels, his main focus is on his surrounding urban context, often including seemingly banal architectural elements. His images are devoid of people and only refer indirectly to a potential presence or action. Kesteloot’s work seems to be about how we absorb our environment, and how it results in fragmented impressions and associative memories.

Untitled photograph, Ault (FR), 2019 © Max Kesteloot

 

 

 

In partnership with

 

Exhibition View: Max Kesteloot, CENTRALE | box © Philippe de Gobert, september 2020

 

Exposition

Download the visitors guide

 

CENTRALE.box
Place Sainte-Catherine 44
1000 Brussels
WED > SUN 10:30 > 18:00
Closed on public holidays (01 & 11.11.2020)

TICKETS
0 €

Book your ticket here!

Artist

Curator

  • Tania NASIELSKI

Xavier Noiret-Thomé – Henk Visch

PANORAMA

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CENTRALE | hall

Vue d’exposition 10 – Panorama © Philippe De Gobert

CENTRALE presents the exhibition Xavier Noiret-Thomé & Henk Visch PANORAMA (03.09.2020 > 21.02.2021), an ode to painting and sculpture.

Xavier Noiret-Thomé, a French artist based in Brussels, creates singularly-varied paintings and collages that feed on knowledge, experience and lived experiences. He has chosen to invite Henk Visch, a Dutch sculptor, draughtsman and painter, whose monumental and miniature sculptures, to him, echo the human thought process.

Their direct and intense works depict a vision of reality sometimes tinted with humour, as these artists attempt to define the creative process and its impact on life.

For this exhibition, the two artists devised a journey split into five chapters, going from thought to metaphysics. Proposing an alternative approach to the classical presentation of painting and sculpture, this path allows for a reading of the very artistic process of their respective works, and the issues it addresses.

Artists, performers, jazz musicians and intergenerational workshop facilitators will offer other perspectives on the duo.

The exhibition comes with an exceptional collaboration with Mechelen’s De Garage (Exhibition No more no less exhibition, echoes his Panorama show : 19.09 > 14.02.2021).

 

 

 

 

With the support of

Xavier Noiret-Thomé
Les citrons, 2019, peinture acrylique sur toile, 180 x 140 cm (Courtesy: XNT)

 

With the support of the Promotion of Brussels, a competence of the Wallonia-Brussels Federation
and the Brussels Capital Region, Promotion of Brussels

Exhibition view: Xavier Noiret-Thomé & Henk Visch, CENTRALE | hall © Philippe de Gobert, september 2020

Exposition

Curator

  • Carine FOL

Leen Van Dommelen

Backstage Of The Body

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CENTRALE | lab

In Backstage Of The Body, Leen Van Dommelen (Born in Mortsel, Belgium in 1987, lives in Brussels) dissects the body in a fragile game hovering between cruelty and poetry. Clashing with the limits of the physical body, she examines her fears and shame and takes us to a world where what is usually hidden is suddenly revealed. Shock and shame. Failure and fall.
Her work, made of performances and installations, seeks for confrontation with the eye: the eye of the spectator and the introspective eye. Her oeuvre triggers an ambiguous mechanism where the loss of control becomes one with the acquisition of control.

 

© Leen Van Dommelen

Exposition

CENTRALE.lab
Place Sainte-Catherine 16
1000 Brussels
WED > SUN 10:30 > 13:00 – 13:30 > 18:00
Closed on public holidays

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0 €

Stéphane Roy

The Mental Network

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CENTRALE | box

Stéphane Roy - The Mental Network - CENTRALE for contemporary art

With The Mental Network, artist Stéphane Roy (Born in Lyon, France, 1988, lives in Brussels), and co-curator of the exhibition by Roger Ballen, is trying to draw up a large social x-ray of our time, with its specific issues and existential questionings. The installation is minimal, participative and evolutionary, and pertains a universal dimension. By answering the question ‘what are you thinking about?’ the viewers-contributors are touched in their very own personal thoughts. The Mental Network website (thementalnetwork.com) allows everyone to take part in this vast collection of thoughts – which are brought together and printed directly in CENTRALE.box. The audience is invited to rummage through these randomly gathered thoughts.

Take part in the installation now by answering the question: What are you thinking about ? on www.thementalnetwork.com

 

© Stéphane ROY

Exposition

CENTRALE.box
Place Sainte-Catherine 44
1000 Brussels
WED > SUN 10:30 > 18:00
Closed on public holidays

TICKETS
0 €

Artist

Doris Boerman

Skin

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CENTRALE | lab

SKIN_D.Boerman_beeldwebsite - CENTRALE for contemporary art

The experience of working in different disciplines (dance, design) has led Doris Boerman (born in Arnhem, Netherlands, 1988) to her interest in different forms of presentation- and re-presentation models. Working within different contexts and involving the space of presentation in the work are new and important aspects of Doris Boerman’s work. Dualities such as authentic and constructed, private and public, autonomous art and applied design are among her main fascinations.

The past year, Doris Boerman has been working on the overlapping aspects between the person as a presentation model for the self and the exhibition space as a presentation model for art. Overlapping material aspects between, for example, clothing and painting; decorative aspects as jewelry or framing; and the suggestion of the exhibition wall as the skin of a person became a part of her visual vocabulary. Quite recently she has started to integrate performance into her visual work in which she aims to connect the performers and the work exhibited.

© Doris BOERMAN

Exposition

CENTRALE.lab
Place Sainte-Catherine 16
1000 Brussels
WED > SUN 10:30 > 13:00 – 13:30 > 18:00
Closed on public holidays

TICKETS
0 €

Artist