{"id":15365,"date":"2020-08-11T12:57:27","date_gmt":"2020-08-11T12:57:27","guid":{"rendered":"https:\/\/www.centrale.brussels\/?post_type=activities&p=15365"},"modified":"2020-12-04T08:17:32","modified_gmt":"2020-12-04T08:17:32","slug":"carte-blanche-xavier-noiret-thome-2","status":"publish","type":"activities","link":"https:\/\/centrale.brussels\/en\/events\/carte-blanche-xavier-noiret-thome-2\/","title":{"rendered":"CENTRALE Cinema ONLINE – Carte blanche Xavier Noiret-Thom\u00e9 2\/2"},"content":{"rendered":"

Carte blanche Xavier Noiret-Thom\u00e9<\/a> 2\/2<\/strong><\/p>\n

09.12, 18:00 > 10.12, 09:00<\/strong><\/p>\n

Online<\/a><\/b><\/p>\n

Event Facebook<\/strong><\/a><\/p>\n

 <\/p>\n

Xavier Noiret-Thom\u00e9<\/a>\u2019s work consists in a loving and perpetual appropriation of the history of art and of painting in particular. All the artists presented in this selection of films belong to Noiret-Thom\u00e9\u2019s idols. As far as he is concerned, they embody the idea of the artist as a lonely and heroic figure.<\/p>\n

 <\/p>\n

Francis Picabia ou l\u2019auberge espagnole<\/em> by Yves Kovacs<\/strong>
\nColour, 27\u2032, 1976, FR<\/strong><\/p>\n

Condensing Picabia in 27 minutes is no small task. The artist was as complex as he was fascinating: ever the lady\u2019s man and the speed enthusiast, he collected both lovers and cars; besides, he was quite the avid partygoer and had a taste for luxury. Averse to boredom and routine, his work and his life were in constant motion: in his lifetime he created 10,000 paintings spread out over 11 periods and composed well-crafted pieces of writing. To catch a glimpse of this colourful figure, the film summons witnesses: some of the \u2018Madame Picabia\u2019 still of this world, fans such as J.\u00a0F.\u00a0Lyotard and Denis Roche and historical records. Here, to the appropriate musical accompaniment of Jazz and Tino Rossi, Picabia\u2019s work is commented, illustrated with anecdotes, and compared\u2009\u2013\u2009psychoanalytically\u2009\u2013\u2009to a sex machine. Was Picabia truly the \u2018quintessential \u201cunartist\u201d, a monster\u2019 as he described himself? Though the film cannot answer this question, it has the merit of asking it and of putting it in the guise of a documentary.<\/p>\n

 <\/p>\n

L\u2019horrible, bizarre et incroyable aventure de monsieur T\u00eate<\/em> by Jan Lenica<\/strong>
\nColour, 13\u2032, 1959, FR<\/strong><\/p>\n

An animation film that earned the \u00c9mile Cohl award where Ionesco meets Lenica. A metaphor for the freedom of humankind and the oppressiveness of the cosmos. A classic must-see that will leave you moved and fill your mind with thoughts. The bulk of it is comprised of a simple text by Ionesco\u2019s\u2009\u2013\u2009so simple, in fact, that it becomes tragic (not unlike his theatrical work as a whole)\u2009\u2013\u2009and of the visual style of a Polish film-maker, based on breaks in tone, changes in colour, and the thinly veiled violence concealed by a veneer of charm.<\/p>\n

 <\/p>\n

In partnership with Centre du Film sur l\u2019Art.<\/p>\n

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